Minnie the Minx

I created this as a way of articulating the grief associated with the death of my father, something which is only now manifesting itself – over a year after his death.

The title refers to his nickname for me - based on a fictitious character, the female equivalent to 'Dennis the Menace' (abbr.:'Minx') variations include: Minky Moo and Minnie Moo, the latter presumably because I was a little cow as a child.

It is not intended for you to enjoy, but as an outlet for communicating everything that remained unsaid up to his death; everything I wanted to share with him, but never got the chance.

be water, my friend.

The oblique rays of the setting sun: One of Dostoyevsky’s favourite and constantly recurring images.

Long oblique rays of the setting sun-that is the symbol of quiet dying, the going over to the other world.

Footprints

I searched for metric meanings

along the grinding beach,

but despite my mystic leanings

they were always out of reach.

I dug for deeper answers

beneath the padded sands,

but all I found were dancers

with seaweed on their hands.

Though I boned up on the history,

and strove to keep the score,

the sea remained a mystery

and I remained ashore.

Still I’d seek to know the essence

of what I am today,

for the proof of my pale presence

will soon be washed away,

and the seedbed of my questions

will be covered by the sea,

where my bones shall find a rest home

when I’m no longer me.

Though I remember all the faces

and record what I have seen

the sea will wash away the traces

as though they’d never been.

For the sea’s here to remind us

as we walk upon the land

that all we leave behind us

are footprints in the sand.

And footprints in the sand, it’s said,

however deep and wide,

will not keep their distinctive tread

beyond the next high tide.

We pay ourselves such compliments

yet barely undesrstand

the greatest of our monuments

are footprints in the sand.

- Matt Harvey, “Where Earwigs Dare”

A SHEET OF PAPER
No coming, no going,
No After, no before.
I hold you close,
I release you to be free;
I am in you
And you are in me.

—Thich Nhat Hanh - “No Death, No Fear”

All life in all societies where modern conditions of production reign announces itself as an immense accumulation of spectacles. All that was directly lived has moved away into a representation. The images which have detached themselves from each aspect of life dissolve in a common flow, where the unity of this life can no longer be re-established.

—Guy Debord - Society of the Spectacle

Now all my hours are trances;
And all my nightly dreams
Are where the dark eye glances,
And where thy footstep gleams,
In what ethereal dances,
By what Italian streams.

—EDGAR ALLAN POE, “The Assignation”

Am I the only one that thinks Gil Scott-Heron is amazing?! R.I.P 

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